OREOFE OGUNTOLA

Artist · Filmmaker · Researcher · Cultural Curator

Museum sculpture in a contemporary African art context

I am an artist, filmmaker, actor, producer, author, festival coordinator, PR Rep, cultural curator, researcher, and creative director dedicated to telling stories that celebrate heritage, foster cultural exchange, and create lasting social impact. My work bridges tradition and contemporary practice across art, film, literature, and public engagement.

Cowry Artworks

My cowry artworks grow from the material presence of cowries and the histories of movement, value, spirit, and remembrance they carry.

Religion Tolerance

COWRY SHELLS · THREAD · FOUND CLOTH

In Religion Tolerance, I bring cowries, prayer beads, and fabric together as a plea for peace, coexistence, and shared humanity.

Echoes of Ancestors

COWRY SHELLS · PIGMENT · PAPER

In Echoes of Ancestors, I use cowries and feathers to hold a meditation on ancestral wisdom, cultural continuity, and peace.

Osun

COWRY SHELLS · WOOD · ARCHIVAL PRINT

In Osun, I created a living work at the Osun–Osogbo Sacred Grove, where handcrafted cowry regalia carries Yoruba spirituality, identity, and remembrance.

Yeye

COWRY SHELLS · BRONZE LEAF · TEXTILE

In Yeye, I created a contemporary cowry necklace honouring Yoruba royalty and the enduring presence of African queens.

ON TVC · COWRY CRAFT

I shared the craft behind my cowry art.

Watch my conversation with TVC about the stories, process, and cultural memory woven into my cowry practice.

Watch the TVC interview

Oreofe Oguntola during a TVC interview on cowry craft

Featured Films

Between Worlds film still

Between Worlds

SERIES · ACTING

I play Olori Agbeke in Between Worlds, a queen whose power, pride, and grief set the story’s moral stakes in motion.

My Father’s Shadow film still

My Father’s Shadow

FEATURE FILM · ACTING · OREOFE AS BUKKA CUSTOMER

I played Bukka customer in My Father’s Shadow, a searching feature film set against Nigeria’s economic history.

Epe Idile film still

Epe Idile

SERIES · ACTING

I play Dupe in Epe Idile, tracing a tender love story shaped by loyalty, betrayal, and the hope of choosing a life beyond heartbreak.

Ladire film still

Ladire

SERIES · ACTING

I play Grace in Ladire, bringing warmth and resolve to a young woman navigating ambition, possibility, and the right to be seen.

CULTURAL HERITAGE · FESTIVAL COORDINATION

Olokun Festival

Coordinating a living celebration of Yoruba history, spirituality, and artistic excellence.

FESTIVAL MOMENTS

Olokun Festival moment
Olokun Festival gathering
Olokun Festival cultural expression
Olokun Festival procession
Olokun Festival stilt performers
Olokun Festival video thumbnail

OLÒKUN FESTIVAL · FILM

See the celebration in motion.

A short glimpse into the rhythm, ceremony, and shared energy of Olokun Festival.

Watch Olokun Festival

FESTIVAL COORDINATOR

Holding the many threads of a cultural celebration.

As Festival Coordinator for the Olokun Festival, I have led the planning and coordination of one of Nigeria’s foremost cultural heritage festivals, working closely with artists, traditional institutions, community stakeholders, and creative teams to deliver programmes that celebrate Yoruba history, spirituality, and artistic excellence.

My role spans project management, programme development, logistics, partnership coordination, and audience engagement—ensuring the successful delivery of exhibitions, performances, workshops, and cultural events that preserve indigenous knowledge while fostering meaningful cultural exchange and public participation.

Programme Development

Partnership Coordination

Creative Logistics

Public Engagement

After You Left book cover

OREOFE OGUNTOLA · PUBLICATION

After You Left

A Journey Through Death, Grief, Memory and Healing

A research-informed companion for living alongside grief with dignity, hope, and resilience.

Buy the book on Amazon

ABOUT THE BOOK

A companion for the long work of grief.

After You Left is a deeply personal and research-informed book born from my experience of losing my parents and living through the complexities of grief. While rooted in my own journey, the book reaches far beyond autobiography. It explores the emotional, psychological, cultural, and spiritual dimensions of loss through the lens of thanatology—the interdisciplinary study of death, dying, bereavement, and grief.

Drawing on scholarship in palliative care, hospice care, African perspectives on death and mourning, and contemporary grief studies, After You Left weaves lived experience with research to offer an honest and compassionate exploration of what it means to continue living after profound loss.

More than a memoir, it is a companion for anyone navigating bereavement—offering comfort, understanding, and practical insight into living alongside grief, not trying to overcome it.

After You Left book presentation

Carry the conversation forward.

Buy After You Left on Amazon

COWRY ART · SELECTED COMMISSIONS

Commissioned Works

My professional practice as a contemporary cowry artist has led to original commissioned artworks for distinguished Nigerian leaders and cultural institutions—works that celebrate leadership, cultural identity, and African heritage through contemporary expression.

THE COMMISSION · JULY 2021

A practice recognised by national and traditional leadership.

In July 2021, I was commissioned to create bespoke contemporary cowry artworks for His Excellency Chief Olusegun Obasanjo, GCFR, former President of the Federal Republic of Nigeria; His Excellency Professor Yemi Osinbajo, GCON, former Vice President of the Federal Republic of Nigeria; and His Imperial Majesty Oba Adeyeye Enitan Ogunwusi, Ojaja II, CFR, the Ooni of Ife.

These commissions recognised my distinctive artistic practice, which transforms cowry shells into contemporary works celebrating African heritage and craftsmanship. The completed artworks were personally presented to each recipient, reflecting the trust placed in my artistic ability and the recognition of my work by prominent national and traditional leaders.

Three works, three custodians of heritage.

Commissioned cowry artwork for Chief Olusegun Obasanjo

Chief Olusegun Obasanjo

Former President of the Federal Republic of Nigeria

Commissioned cowry artwork for Professor Yemi Osinbajo

Professor Yemi Osinbajo

Former Vice President of the Federal Republic of Nigeria

Commissioned cowry artwork for the Ooni of Ife

Oba Adeyeye Enitan Ogunwusi, Ojaja II

His Imperial Majesty, the Ooni of Ife

OUTCOME

From recognition to cultural continuity.

The visibility generated by these commissions contributed to a grant from the House of Oduduwa Foundation to train young people in contemporary cowry craftsmanship. Through this initiative, participants gained practical artistic and entrepreneurial skills—creating pathways for self-employment while supporting local artisans and recognising cowries as a vital cultural, natural, and economic resource.

The work continues: preserving indigenous African art through contemporary visual expression.

RESEARCH & CULTURAL PRACTICE

Rooted in memory, carried into public life.

My research attends to African heritage, cultural memory, spirituality, and the living knowledge held in art, ritual, and community practice. It informs my work across visual culture, film, literature, and public engagement.

COWRY ART · COMMUNITY PRACTICE

Workshops & trainings

Transformative cowry art workshops made possible through grants from the House of Oduduwa, under the leadership of the Ooni of Ife.

Cowry art workshop learning moment

Creativity begins with what is already around us.

Working with children, young adults, and older adults, I championed the belief that creativity begins with the resources already within our communities. Participants learned to transform cowries and other indigenous materials into contemporary works of art while reconnecting with the richness of their cultural heritage.

More than an art programme.

These workshops fostered confidence, cultural pride, and purpose. For older adults, they created a meaningful space for creativity, community, and renewed hope. For younger participants, they demonstrated that innovation can emerge from the traditions and natural resources surrounding them.

A gathering of hands, stories, and possibility.

Teaching Cowry Art as Indigenous Vocational Studies

I am the first person in history to teach cowry art as an indigenous vocational art practice in Nigerian schools. I successfully led training programmes in communities where cowries have long been misunderstood and associated primarily with traditional religious worship. By reframing cowries as a cultural, artistic, and economic resource, I helped students appreciate them as a medium for creativity rather than superstition. With the visionary support of Iseyin District Grammar School, a predominantly Muslim school, and Ajayi Crowther High School, Iseyin, a Christian missionary school, students from different faith backgrounds embraced this unique opportunity—demonstrating that art and cultural heritage can transcend religious boundaries and foster creativity, dialogue, and mutual respect.

The work continues through community.

The initiative was delivered in schools and community settings with the support of Ebedi International Writers Residency, Nike Art Gallery, and Rare Edge Film & Art Academy.

House of Oduduwa

Ebedi International Writers Residency

Nike Art Gallery

Rare Edge Film & Art Academy

Cowries carry memory. In the hands of a community, they also carry possibility.

PUBLIC PROGRAMMES · CULTURAL DIALOGUE

Event & Festival Hosting

I curate and host public programmes that bring together art, research, culture, and critical dialogue. My work extends beyond exhibitions into the creation of platforms where complex cultural narratives are explored through conversation, performance, and community engagement.

RESEARCH PODCAST · WATCH NOW

Èṣù is not Satan.

Following my research on the evolving perception of Èṣù and the Western concept of Satan, I conceived and hosted a podcast series examining the intersections and distinctions between Yoruba cosmology and Christian theology—encouraging audiences to question inherited narratives and engage more deeply with African intellectual traditions.

Watch the podcast

ITANSAN ART FESTIVAL · HOSTING

Conversation in public.

I also hosted the Itansan Art Festival, leading conversations and cultural programmes that celebrated indigenous creativity, heritage, and contemporary artistic expression.

LET’S CONNECT

Have a story, commission, or collaboration in mind?

I welcome thoughtful conversations around art, culture, storytelling, research, and creative partnerships.

SOCIAL

@cowrygod

Find Cowrygod across social platforms.

OREOFE OGUNTOLA

Artist · Filmmaker · Researcher · Cultural Curator